Re-creating the Dining Room

The grand formal rooms in our house, while spacious and imposing, almost become dulling to the senses once the peeling wallpapers have been removed, the plaster repaired, and the ceiling cracks secured, filled, and sanded to a smooth white finish.  Even with the twelve-and-a half foot high walls and sprawling ceilings, the blandness of the expanse of the white plaster, the brown of the narrow oak flooring, and the tan of the cleanly-stripped wood moldings make the rooms look smaller than they are.  It evokes a sense of boredom and monotony that renders them immediately forgettable.  An inexcusable condition for such wonderfully-proportioned spaces.

Our Dining Room, in particular, with all of its brightly cheerful windows and curved corner cove, where the walls and the ceiling meet, was dull and lacked any emotion or feeling.  The American Gothic dining room suite built by Tobey Furniture Company, a prominent 1880s Grand Rapids furniture company, looked garish and out of place against the white starkness.

This room was aching for a period look and period-appropriate materials to restore it to the grandeur of its past and the look appropriate to a “Millionaire’s Row” Main Street mansion.  We set out to first choose the materials that would have been present in this space, and re-create the look taking our cues from the history of the house itself.

Beneath the 1960s pressed-board panelling that was installed below the original chair rail, we discovered the “ghost” of Lincrusta panels that once had adorned the wainscoting of that room.  Lincrusta is a material dating back to the 1870s, use extensively as a decorative material for the next thirty years before it went out of style.  The base material is a paper mulch soaked in linseed oil.  It is then squashed flat under heavy cylinders that contain the “negative” pattern that is then pressed into the material as a “positive” or heavily embossed pattern.  At first the material is supple, but it gets significantly harder over time.  After a while the company made some changes to the formula to produce another flat-rolled material that they called Linoleum — a material still used even today.

Most of the companies that made Lincrusta went out of business years ago, but one company still produces the patterns from their original cylinders from the 1870s.  You can now buy their patterns at most wallpaper stores.  It really is a great material for old houses with plaster walls, as the material is so thick and so strong that any cracks that might appear in the plaster won’t make their way through the wall covering.  It comes in white and you paint it to suit your needs. 

Unfortunately, the Lincrusta ghost pattern we saw beneath our chair rail didn’t match any of the patterns still being made, so we opted to cover it again with a solid wood wainscoting.  For a template, we used a wainscoting pattern from one of the other houses in town that were architecturally so similar to ours that it was likely the same hand that designed them both.

The wood was a paint-grade poplar, as we intended to faux-grain (or faux-bois) the surface.  This is an old technique that allowed a homeowner to use local lumber in a grand house, then using the skill of a trained artisan to run combs, brushes and feathers through the final surface treatment to create the appearance of exotic hardwoods from around the world.  When we scraped the years of paint layered over the woodwork in the house, the bottom layer was always a faux-grain.  It was impossible to remove the many layers on top without destroying the original painted surface beneath, so we attempted to re-create it.  Using the Gothic quartersawn oak furniture as inspiration, Andy Compton, a highly-skilled artist and artisan, set to work making our wainscoting and trim over into a golden brown oak.

The rich glow of the woodwork was exactly the touch needed.  Now, what to do with our walls?  Knowing that Lincrusta had already been a design feature in this house, we decided that it should continue to embellish this space, covering the walls all the way up to the curved cove.  We picked a bold pattern with a large repeat.  Andy did a wonderful job with the installation fitting together the panels, puttying the seams, and sanding them for a seamless perfect fit.

The next step was to choose a color scheme for the Lincrusta to allow the pattern the dominance it deserved in that space.  Tom has a thing about colors, in an OCD kind of way.  We took samples home and he painted them over and over again, experimenting.  Meanwhile, Andy put sample patches all over the room working with other colors.  It was many months of experimenting, re-working and starting all over again until we finally had it narrowed down to two choices…

Our final choice was with the orange and gold, as it proved most sympathetic with the warm tones of the woodwork and flooring.  Besides, Tom had started on an idea for the ceiling, and all the pieces were seeming to fall into place with this color scheme.

In bygone days, a desirable, but expensive wall covering was an embossed, tooled leather painted with gilded highlights to bring the texture of the pattern to the eye.  The Lincrusta could be painted in a way that achieved that same look quite nicely.  I think we achieved it here.
 
Onward and upward, as they say, and the ceiling beckoned with its enormous blank canvas.  The one mistake you can’t make in a grand Victorian house is to ignore the large surface of the ceiling.  It was traditional to decorate the view above just as elaborately as your vertical surfaces.  Many wallpapers are available today to achieve that end, Bradbury and Bradbury being one of the most widely used suppliers of historically-accurate wall and ceiling papers.  These patterns make it easy for the owner of a Victorian, or other historical home, to choose period-appropriate patterns to create layers of borders around a central field.  Instead, we decided to do it the hard way.  Surprised? I’m not.
 
After getting inspiration from the Tiffany-painted ceiling of the Calhoun Mansion in Charleston SC, Tom had a good idea of the central field pattern he wanted.  He then turned to the dozens of pattern books we have in our library looking for other design elements to cobble together.

Circling the design elements on the flagged pages, Tom laid out the patterns, colors, and borders to surround the field.  Andy went to work, and started doing some mock-ups for the final tweaking of the patterns.  We wanted to go with a gold-leaf treatment to the ceiling cove, but the cost of the materials proved prohibitive for the large volume we were covering, so Andy produced an aluminum leaf treatment with an overlaying glaze of amber.  So, technically, we have a tinfoil cove instead of a gold-leaf cove.  Practicality combined with cost-effectiveness to create a beautiful effect — who could ask for better.

We went with a 15-layered border pattern with a stylized fleur-de-lis pattern for the borders and a patterned field interplayed with red dots and real gold-leaf squares.  I think the final effect is quite sympathetic with the rest of the room.

The gold leaf was eventually worked in, even if it was not to gild the cove, but the reflectiveness in the accent squares on the ceiling change and shift with the changing light of the day and the lighting at night.  The shimmery effect gives the ceiling an ever-changing mood.

The painted ladies on the ceiling are ever watchful of the events below.  Touches of gilding bring them a little more romance, and their peaceful faces calmly observe family dinners and margarita parties alike.  When the chandelier is hung, the light from the six arms will reflect upward upon their faces, giving them more life and effect than ever.

The ceiling, borders, cove and wall covering together in the harmony that was created for this special room.

It is by far my favorite room because it has become filled with some of the most special memories for me.  Family dinners with extended and “adopted” family filled with laughter, friendly ribbing, outrageous stories and inside jokes.  It is an out-of the way place during the DANgaritaVILLE margarita parties we throw, where a small group can gather and share an intimate friendship, where I have stood or sat close by to grow and strengthen those connections with the wonderful people who inhabit this corner of the world.  As friends, we opened our souls to each other and learn and grow and love.  It is a place of celebration where many a glass has been raised to celebrate life’s important milestones and events for family and friends alike.  
 
I once walked into this place to find that our carpenters, mason, roofers, artisan, and plumber had all worked together on their own time to raise a freshly-cut, fully-decorated Christmas tree that greeted us, lighting the room with its joy, and welcoming us down for the Holiday.
 
Another time I entered to find that my friends had secretly entered the house and transformed the entire room into a fairytale garden with enormous elaborate paper flowers sprouting from every nook.  Ribbons streamed around the room and swags of beads decorated every chair, while flameless flickering candles threw shadows dancing across the walls.
 
The beauty of this room is that these are only the first of the cherished memories to be created here, and I raise a glass and toast to the future and to all the memories we may be creating today.
Carla Minosh

While I am new to Blogging, I have always enjoyed sharing the stories of my crazy life, so this is simply another medium to share, and hopefully entertain and enrich others. Perhaps you can feel thankful that your life is so steady and predictable after reading these, perhaps you can appreciate the insanity and wish you had more of it in your life. Either way, the crazy tales are all true (to the best of my spotty recollection) and simply tell the tale of a life full of exploration, enthusiasm, curiosity and hard work. I hope you all enjoy being a part of the journey.

Share with your friends

21 thoughts on “Re-creating the Dining Room”

  1. There is no comment I could possibly make that would do justice to what you have done here. It is impossible for me to even comprehend how you make these decisions and execute them. it has to be the love and passion that drives the mind to envision your dream. Tons of hard work and dedication. Simply magnificient.

  2. Speechless. It's beautiful! Honestly, I can't stop reading your blog, it has prevented me from doing any work today! All I can do is sit here with smiles on my face (apart from the GRRRR's of the contractors in your area!)

  3. In another lifetime, if I am lucky, I hope to be as articulate as Marcia. Her comment is perfect, and beautifully reflects my exact thoughts.

  4. Hi Carla! I've been reading feverishly ever since I've come upon your fantastic blog. You are such an amazing inspiration. While I am glad when any old house is rescued from the ravages of time, I'm also usually upset when I see a modern take on a Victorian home. Like you and your husband I am also firmly in love with the decor of the Victorian period. To see it rise up in every palatial room of your beautiful home is such a joy! There are not enough words to compliment your fine taste, dedication, skill, and vision. I am so happy you, your husband, and this fabulous all found each other. You two are deserving of this magnificent building, and it is in turn deserving of you two!

Leave a Comment

Your email address will not be published. Required fields are marked *